In 2022, Eva Livijn exhibited Ingrid Pollard’s works in the group exhibition Rock My Soul II, curated by Sir Isaac Julian and Ulrika Flink. Now, a larger presentation of Pollard’s artistry is presented in connection with the awarding of the Hasselblad Prize.

Registration

Sign up at anmalan@centrumforfotografi.se by November 29th. Limited number of places.

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More about the exhibition

Ingrid Pollard: Being in Landscapes
15 October – 15 December 2024

Born in Guyana in 1953, Ingrid Pollard’s practice delves into the complexities of history, migration, and memory, offering a unique perspective on themes of identity, land, ownership, and borders. Through her use of photography, text, found objects, and printing, Pollard challenges traditional notions and invites viewers to contemplate the layered narratives within her work. The aim of this exhibition is to celebrate Ingrid Pollard’s art practice in collaboration with The Hasselblad Foundation. Ingrid Pollard is the 2024 Hasselblad Award laureate. The award ceremony took place in Gothenburg, on 11th of October 2024. That same day, an exhibition of Ingrid Pollard’s work opened at the Hasselblad Center.

One of the focal points of Ingrid Pollard: Being in Landscapes is Pollard’s exploration of Britain’s rural landscape, where her art disrupts conventional understandings of traditional motifs such as landscapes and portraiture. By incorporating the themes of representation, history, and landscape, Pollard’s work sparks conversations about race, difference, and the constructed nature of perception. Notable pieces on display in the exhibition is the captivating “Seaside Series” from 1989, where Pollard places herself within the historical context of Hastings, challenging the viewer’s perception of tourism, ownership, and cultural memory. Additionally, “There Was Much Interruption” from 2015 offers a layered reflection on global histories, labor, and colonial legacies through an innovative use of hand-printed wallpaper.

In 2017, Ingrid Pollard was commissioned by Autograph ABP to hand-tint modern prints selected from The Caribbean Photo Archive. Beyond the commission called The Valentine Days, Pollard continued to work with the colonial archive, looking for agency for the people in the photographs in the archive. Merging historical images with her distinctive hand-tinting technique she reflects on themes of identity and representation. These works offer a unique glimpse into Pollard’s exploration of historical narratives and visual storytelling. This exhibition delves into the intricate multilayered landscapes in Ingrid Pollard’s artistic practice. How she weaves together physical surroundings with emotional and historical narratives, inviting a deeper understanding of the human experience. We hope that experiencing her work gives a new dimension to “being in landscapes” Pollard’s work illuminates the complex interplay between history, land, identity, and the diverse environments we inhabit.

Curator: Ulrika Flink